Today I join an interview host by CGMA. They have invited the 3 animators from the movie Klaus. They are Cécile Carre , Simone Cirillo , Giovanni Braggio . They are all the animator I really like in the movie or as an artist/ animator. Really glad to have this interview and really inspired what they are talked. Here is some of the note I did in the interview. ___ Usually, in the studio, you will be assigned a sequence which is mean you will be give many shots that is connected. Think about those while planing those shots: What happens around the shots? What moment are those shots want to deliver? What is the use in the movie? Where is the big importance in the shot? How the director wants you to communicate? How I want to show around those shots? Push more on the important one and release it on the others. Find a good balance between each shot. This is not about showing off your skills. It is about what the shot wants to describe In the production: shooting ...
Some note for the Lip Sync form Aaron video (below) 304 - 325 in The Animator's Survival Kit 151 - 163 in Character Animation Crash Course. 453 – 471 in The Illusion of Life The mouth move 2-4F ahead sound. Say the Dialogue and feel the mouth shape change between the word A sentence has a pose, award let the pose to buzz. Every pose would have meaning in it. Don't over animate, don't over-enunciate. At least 2 frames to read the important consonant Most of the time the head accent(頭的動作) is up anticipate is down then head accent up then lip on the vowel(母音) Hit only the vowels which are important. Gloss over the other. just hit the main accents progress the action as you speak Action: we experience the emotion and magnify the result. show the expression change avoid making a fast move while changing the expression change your expression before the move, or at the end, when the character is moving slowly enough for it to be seen D...
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